This morning scrolling through my phone I stumbled on a screen shot of her. I have no idea how I found her, but Alyssa’s work has captured my heart. After listening to her video about what creating and art is to her, I felt as though we are kindred spirits.
I’m in love with the emotion, authenticity and healing that goes into what she paints. I’m inspired by the way she moves through her emotions though oil on canvas in such a raw and beautiful way. Lastly, I’m truly drawn and in awe of her ability to paint connection and vulnerability in such a unique way.
Alyssa Monks layers spaces and moments in her paintings. She flipped background and foreground using semi-transparent filters of glass, vinyl, steam, and water over shallow spaces in her 10-year water series. Today, she is imposing a transparent landscape of infinite space over evocative subjects.
The tension in her paintings is sustained by the composition and also by the surface quality itself. Each brushstroke is thickly applied, like a fossil recording every gesture and decision, evoking the energy of the handmade object.
This unpredictable, activated surface recalls the human experience, creating empathy in the work. “I strive to create a moment in a painting where the viewer can see or feel themselves, identify with the subject, even be the subject, connect with it as though it is about them, for them.”
Alyssa’s work is represented by Forum Gallery in New York City. She lives and paints in Brooklyn. Her latest solo exhibition “Breaking Point” was in October of 2018 at Forum Gallery. Monks’s paintings have been the subject of numerous solo and group exhibitions including “Intimacy” at the Kunst Museum in Ahlen, Germany and “Reconfiguring the Body in American Art, 1820–2009” at the National Academy Museum of Fine Arts, New York.
Her work is represented in public and private collections, including the Savannah College of Arts, the Somerset Art Association, Fullerton College, the Seavest Collection, The Bennett Collection, and the collections of George Loening, Eric Fischl, Howard Tullman, Gerrity Lansing, Danielle Steele, Alec Baldwin, and Luciano Benetton.
In 2015, Alyssa gave a TED talk at Indiana University discussing her recent work, which is featured on TED.com. Recently, she was named the 16th most influential women artist alive today by Graphic Design Degree Hub. Her work was featured heavily in season 6 of the FX television series The Americans in 2018.
Born 1977 in New Jersey, Alyssa began oil painting as a child. She studied at The New School in New York and Montclair State University and earned her B.A. from Boston College in 1999. During this time she studied painting at Lorenzo de’ Medici in Florence. She went on to earn her M.F.A. from the New York Academy of Art in 2001. She completed an artist in residency at Fullerton College in 2006 and has lectured and taught at universities and institutions worldwide. She continues to offer workshops and lectures regularly.
Alyssa Monks transfers the intimacy and vulnerability of human experience onto a painted surface.
This morning scrolling through my phone I stumbled on a screen shot of her. I have no idea how I found her, but Alyssa’s work has captured my heart. After listening to her video about what creating and art is to her, I felt as though we are kindred spirits.
I’m in love with the emotion, authenticity and healing that goes into what she paints. I’m inspired by the way she moves through her emotions though oil on canvas in such a raw and beautiful way. Lastly, I’m truly drawn and in awe of her ability to paint connection and vulnerability in such a unique way.
Alyssa Monks layers spaces and moments in her paintings. She flipped background and foreground using semi-transparent filters of glass, vinyl, steam, and water over shallow spaces in her 10-year water series. Today, she is imposing a transparent landscape of infinite space over evocative subjects.
The tension in her paintings is sustained by the composition and also by the surface quality itself. Each brushstroke is thickly applied, like a fossil recording every gesture and decision, evoking the energy of the handmade object.
This unpredictable, activated surface recalls the human experience, creating empathy in the work. “I strive to create a moment in a painting where the viewer can see or feel themselves, identify with the subject, even be the subject, connect with it as though it is about them, for them.”
Alyssa’s work is represented by Forum Gallery in New York City. She lives and paints in Brooklyn. Her latest solo exhibition “Breaking Point” was in October of 2018 at Forum Gallery. Monks’s paintings have been the subject of numerous solo and group exhibitions including “Intimacy” at the Kunst Museum in Ahlen, Germany and “Reconfiguring the Body in American Art, 1820–2009” at the National Academy Museum of Fine Arts, New York.
Her work is represented in public and private collections, including the Savannah College of Arts, the Somerset Art Association, Fullerton College, the Seavest Collection, The Bennett Collection, and the collections of George Loening, Eric Fischl, Howard Tullman, Gerrity Lansing, Danielle Steele, Alec Baldwin, and Luciano Benetton.
In 2015, Alyssa gave a TED talk at Indiana University discussing her recent work, which is featured on TED.com. Recently, she was named the 16th most influential women artist alive today by Graphic Design Degree Hub. Her work was featured heavily in season 6 of the FX television series The Americans in 2018.
Born 1977 in New Jersey, Alyssa began oil painting as a child. She studied at The New School in New York and Montclair State University and earned her B.A. from Boston College in 1999. During this time she studied painting at Lorenzo de’ Medici in Florence. She went on to earn her M.F.A. from the New York Academy of Art in 2001. She completed an artist in residency at Fullerton College in 2006 and has lectured and taught at universities and institutions worldwide. She continues to offer workshops and lectures regularly.
Alyssa Monks transfers the intimacy and vulnerability of human experience onto a painted surface.
